- art & design
Contact if interested in design, drawings, murals





label design for Eleanore’s bone broth company 
for herbalist, Aviva, and her bees - 15-16


what birds are saying at Camphill Village 
baby elm? 



sculptures for Whitsun celebration; Black Elk, Camphill Village 
corn husk baskets, made with Phurcchoki Sherpa and Hawthorne Valley Farm Field Campers 



for decorating the Healing Plant herb workshop at Camphill 
snow buddha, with Irene LaFuente - 13-14

label design for Aviva, now Apis Apotheca 


mural by Hawthorne Valley campers and counselors 
(photo courtesy Scotty Kimball) 
Laurel and Claire farming 


Community Supported Agriculture (CSA) shares at different times of year, for Lucy 

Photos by Antu, Aviva, Claire, Christina, Laurel, Wesley and me from a Hawthorne Valley 2014 apprenticeship. See more at: farmscum

red maple swamp for Farmscape Ecology 




for Amy, Lucy and chickens 

a stream you can swim in 

Links
- 12-13

Photograph by reporter Arvolyn Hill (original article) 
click to listen: ‘Wassaic Community Farm’ by Sara Kendall … 17:01 kids speak 

nettle for the Bronx 

Two above designs made in collaboration with organizer and farmer Jalal Akbar Sabur

Biking produce to market every week: fossil fuel free vegetables! 

Sign for Cooper Union, created collaboratively in protests against charging tuition at Cooper Union – one of the only universities in the U.S. keeping education ‘as free as air and water’ 

Alumni demonstration in support of free education for all 
Rubbing from Peter Cooper’s grave in Greenwood Cemetery: “…all you can hold in your cold dead hand, is what you have given away.” 
‘air dancer’, fabricated with Tommy Coleman for artist day gleeson; ‘Quality-of-Lifer’ at La Mama La Galleria 
+ in Spanish and Chinese - 11-12

wild plantain, Plantago major 
women’s bathroom sign clothes, made at fawn krieger performative gathering for women artists to make things to wear 


Tree of Heaven, or weed tree, Ailanthus altissima Photos from Folly Farm, off-the-grid home of a pirate.












‘pink and blue coffins’ 
packing peanut chromosomes 
- 09-10
‘Going Under’ exhibition by Rina Goldfield, Tomashi Jackson and annabel roberts-mcmichael, Cooper Union’s new building, NYC

A place, or ‘set’ in which to look at painting by Rina Goldfield 
Rina Goldfield’s painting of a flower volcano 

Sweet’n’Low, galvanized steel shelves for Rina Goldfield’s lamb drawings 
Work of Rina Goldfield 
A ground to stand on and see Rina Goldfield’s volcano paintings 

The work of Tomashi Jackson, teaching songs she wrote, before her installation in ‘Going Under’ www.tomashijackson.com - 08-09




Inking up, part of lithography printing process where acid is used to ‘carve’ stone 








- 07-08


inspired by frogs’ eggs & Seamus Heaney’s poem, ‘Death of a Naturalist.’ welded steel and glass 

irises 
garden 
silkscreen, map 

seeds 








swans 
land and water 
sea 

upstate, New York 

- 06-07

hope 

Series derived from early European American landscape paintings of the “new” world; in service to Manifest Destiny, they were a form of advertisement, including fake elements such as dramatic sunsets and palm trees to attract land speculators. Exhibited at ‘Publication, Schmublication’, curated by Tomashi Jackson. 








after Helen Frankenthaler & excerpt, Grapes of Wrath
“looking down… into the wide, frightened eyes… slowly she lay down beside him. He shook his head slowly, from side to side… she loosened the side of her blanket… bared her breast…closer… pulled his head close… ‘There.’Her hand moved behind his head and supported it. Her fingers moved gently in his hair. She looked up and across… and her lips came together and smiled mysteriously.”
clouds 



after Spring Landscape, Theran frescos 

boy from a photo in the news 
- 05-06










painted with juice of pokeberry, Phytolacca americana 







fungus, NJ 
gingko
